(Source: kotorinoasobipmr, via fagmouth)

shihlun:

Miyako Ishiuchi, Here and Now: Atomic Bomb Artifacts, ひろしま/Hiroshima 1945/2007.

(via rasputin)

this-slag:

thesassycat:

what if all the scenerios we make up in our head are actually real events happening in an alternative universe and we’re actually connecting with our alternate self’s mind

my alternate self is getting some serious dick 

(Source: thesassycat, via fagmouth)

asylum-art:

dave mckean art

I’m always so surprised that Dave McKean doesn’t have a bigger web presence. He has been one of my biggest artistic influences since a friend first loaned me a Sandman comic in the early 90s. His work is dreamlike, dark, disturbing, mysterious and deeply gorgeous. His work has always found a place deep inside of me where it connects. And in my opinion, he helped pioneer an aesthetic and style that is still found frequently in all creative outlets today, from fine art down to music videos and tv commercials.

McKean is a true mixed-media artist. His work combines drawing, painting, sculpture, found objects, digital art, photography and collage. He began as a comic artist, working with Neil Gaiman on such early projects as Violent Cases and Black Orchid. And then came their collaboration on the Sandman series, the greatest comic book/graphic novel series ever, in my humble opinion. McKean has also dabbled in film as well, directing the visually stunning film MirrorMask (a film so imprinted with his artistic vision, it looks like his art come to life), and the short films The Week Before and N[eon]. He is in post-production of another feature length film, Luna, which does not have a release date at this time.

McKean has worked on countless other projects, including the Batman graphic novel Arkham Asylum: A Serious House on Serious Earth, the graphic novel Cages, CD covers for such musicians as Tori Amos and Skinny Puppy, and designed sets and directed film clips for the Broadway musical Lestat to name a few. He even is an accomplished jazz pianist. Seriously, I can’t even begin to list all what the guy does.

(via rasputin)

causedarlingitwasgood:

how is this even a real show

(Source: michaelsocha, via fagmouth)

thecuckoohaslanded:

earthlydreams:

feminismisatrick:

misanthrpologie:

Saving Face (2012), acid attacks on women in Pakistan

Meanwhile, in America, feminists are complaining about how dress codes are oppressive.

You idiots have never experienced oppression, and pray you never do, because this is what it looks like.

As a South Asian American feminist, let me remind everyone that oppression is not a competition.

Just because we fight one type of sexism doesn’t mean we don’t care about other instances of sexism that don’t affect us directly in our day to day lives.

My heart goes out to this woman and the hundreds of other victims like her. I want to educate people about these kinds of incidents. I support organizations that help women like this.

You may think that dress code issues are trivial, but they are related to a larger issue of women’s bodily autonomy, which affects women’s health and safety.

So please, let’s try to bring awareness and bring about change instead of insulting entire groups of people because they are facing issues that are less scary than the one presented.

oppression is not a competition

thank you so much for this wording

(via skank-haux)

(Source: 6etsy, via rasputin)

(Source: ruinsofdecay, via rasputin)

chiffonandribbons:

Gareth Pugh F/W 2013
arsenicinshell:

corset by AgnieszkaOsipa
brutalgeneration:

(by Fernando Farfán)